slate virtual mix rack problemcan only see three plug ins

please, most of us would be happy for it to just work. And yeah, the 'warming up' thing was cute and it definitely shows that the R&D staff up there in Cambridge has a cheeky sense of humor, but. Vintage opto limiting can't be the easiest thing to capture gracefully. Please, MOTU, I beg of you: make this thing stable. Y'know? I don't want to have to check my mixes to see how closely they resemble what I thought I was hearing. we just want to get our work done and have what is known be known.

Those of us who use Digital Performer in a professional context. I have exported mixes to clients that have had the levels all out of whack because the bounce-to-disk print bore no relation to what we were listening to when we mixed.Īny reason that the whole 'It warms up!' thing is a good idea - or really anything but a nerdy gimmick - is a reason I can't subscribe to. Virtual Console Collection users will receive a free update so mixer emulation can be added to the VMR signal chain.Yes, it's a great-sounding plug - it's nice to have access to such a sweet Opto-style comp.īut the whole instability 'feature' is incredibly annoying and counterproductive if you do this for a living. Up to eight slots can be used per instance of VMR and further modules are set to be released as paid upgrades after release, including de-essers, exciters, gates and more. Modules can be added and reordered with drag-and-drop simplicity, and individual modules can be bypassed and soloed. This modelling includes the subtle harmonics, saturations, phase changes and non-linearities within each circuit, rather than just the EQ curves or compression characteristics. It’s said to be ideal for vocals, and is similar to the Slate Pro Audio Dragon hardware compressor that we reviewed in July 2010 ( ).Īs always, Slate Digital are keen to emphasise that their modelling recreates the entire analogue signal path, resulting in a more analogue sound. The second compressor, FG401 ‘Vintage Compressor’, is based on a model of the 1176 limiting amplifier, but with a greater degree of control and a modified output transformer characteristic.

The first of the two compressors, the FG116 ‘Modern Compressor’ is a model of several VCA-based compression circuits which Slate claim is both punchy and clean. The EQs are clearly based on classic Neve and SSL console designs.

Slate virtual mix rack problemcan only see three plug ins